Review: The Reckoning
If Robert Connolly’s Paper Planes was the Wagyu of this year’s CinéfestOZ then John Soto’s The Reckoning was the Chuck steak. It’s inconceivable that a film brimming with ridiculous inaccuracies and pure silliness was considered for a prize worth a hundred grand, because almost every part of Soto’s wannabe thriller is a dreadful mess. Robbie…



